This contribution is a research into the field of architectural representation's history, widely analyzed but not confronted in a single case study. For this purpose, on analyze and make comparative study from the architectural representations, made between 1892 and 2003 for the Colon theater, identifying its relationship with three successive representational paradigms - academic, modern and digital - and studying the conceptualization and values of the graphic results. As conclusions, the practitioners from the digital era need to learn skills from academic age to enrich their digital resources.
El Teatro Colon de Buenos Aires a través de sus representaciones. Entre la era académica y la digital / Carbonari, FABIANA ANDREA; Chiavoni, Emanuela; Docci, Mario; Gandolfi, FERNANDO FRANCISCO; Gentile, Eduardo; Ottavianelli, ANA MARIA. - ELETTRONICO. - (2017), pp. 843-850. (Intervento presentato al convegno Territori e Frontiere della Rappresentazione / Territories and Frontiers of Representation. 39esimo Convegno Internazionale dei docenti delle discipline della Rappresentazione tenutosi a Napoli nel 14-15-16 Settembre 2017).
El Teatro Colon de Buenos Aires a través de sus representaciones. Entre la era académica y la digital
CARBONARI, FABIANA ANDREA;CHIAVONI, Emanuela;DOCCI, Mario;GANDOLFI, FERNANDO FRANCISCO;OTTAVIANELLI, ANA MARIA
2017
Abstract
This contribution is a research into the field of architectural representation's history, widely analyzed but not confronted in a single case study. For this purpose, on analyze and make comparative study from the architectural representations, made between 1892 and 2003 for the Colon theater, identifying its relationship with three successive representational paradigms - academic, modern and digital - and studying the conceptualization and values of the graphic results. As conclusions, the practitioners from the digital era need to learn skills from academic age to enrich their digital resources.File | Dimensione | Formato | |
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